Les Arts Plastiques Au Nouveau Siège De L’Unesco,

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Featuring the work of Calder – Moore – Mirò – Picasso – Tamayo – Matta – Afro – Appel – Noguchi – Arp – Bazaine – Brassai

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Les Arts Plastiques Au Nouveau Siège De L'Unesco. Cover designed by Hans Arp
Les Arts Plastiques Au Nouveau Siège De L’Unesco. Cover designed by Hans Arp
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Franco Grignani’s ability to push design boundaries with his clients is a testament to his artistic eye and talent. His work on Bellezza d’Italia remains a fantastic example of how design can elevate and transform pharma goods.

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Before ascending to fame within the contemporary art scene, Warhol enjoyed a thriving career as a commercial artist. His illustration work was commissioned by various magazines, including The New Yorker, Vogue, and Harper's Bazaar.

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Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.