Mataré, Stedelijk Museum, Amsterdam, 1967

Information

Details

Linked Information

Mataré, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel (Total Design)
Mataré, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel (Total Design)
Mataré, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel (Total Design)
Mataré, Stedelijk Museum, Amsterdam, 1967 designed by Wim Crouwel (Total Design)
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.
"Rudy is one of the unsung pioneers of American mid-century modernist graphic design. He had a unique and definitive point of view that was really never celebrated. This may have been attributed to his strict adherence to the formal principles of modernism and the International Typographic Style."
The Paris Poster Hoardings of 1938. Posters gleam forth accentuating the melody of this city as they direct the eye to articles of everyday use and above all to people who are the talk of the hour.

Members Content

Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978.