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Graphic Design History from Design Reviewed
Karel Martens

OASE 66, 2005, Virtually Here

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Information

Content includes:
Virtually Here: Space in Cyberfiction by Lara Schrijver, Pnina Avidar
Architectural Space and Cyberspace as Represented in Science Fiction Film by Gül Kaçmaz Erk
From Alphaville to Cyberville The City of the Future in Science Fiction Film by Lara Schrijver
The Imaginary Real World of Cyber Cities by M. Christine Boyer
Slamhounds and other Space-Time Creatures by Neil Spiller
Architectures of Transparency and Technologies of Surveillance Spielberg’s Tech Noir Cybercity in Minority Report by Sidney Eve Matrix
Cyberspeculations, An Interview with Bruce Sterling by Lara Schrijver, Pnina Avidar
Star Trek: Designing the Furture, An Interview with Mike Okuda by Lara Schrijver, Pnina Avidar

Details

  • Format: Magazine
  • Designer/s: Karel Martens, Werkplaats Typografie
  • Year: 2005
  • Client/Publisher: NAI Publishers
  • Size: 240 mm x 170mm
Karel Martens is one of the most influential Dutch graphic designers. He is a co-founder of the Werkplaats Typografie and works across designing and teaching. His work includes designing books, magazines, coins, postage stamps and telephone cards.  'His work is both personal and experimental. At the same time, it is publicly answerable.'

Linked Information

OASE 66, 2005, Virtually Here. Designed by Karel Martens, Werkplaats Typografie
OASE 66, 2005, Virtually Here. Designed by Karel Martens, Werkplaats Typografie
Karel Martens is one of the most influential Dutch graphic designers. He is a co-founder of the Werkplaats Typografie and works across designing and teaching. His work includes designing books, magazines, coins, postage stamps and telephone cards.  'His work is both personal and experimental. At the same time, it is publicly answerable.'
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Bulletin officiel des Cours professionnels,Typographic Parisienne, 61, Octobre 1926

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Herbert Bossin and his Typographic Compositions with Folio

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.