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Graphic Design History from Design Reviewed
Jósef Mroszczak

Projekt 086, 3, 1972

Information

The Polish Journal of visual art and design

Details

  • Format: Magazine
  • Designer/s: Jósef Mroszczak
  • Year: 1972
  • Size: 235mm x 310mm

Linked Information

Projekt 86, 3, 1972. Cover design by Jósef Mroszczak
Projekt 86, 3, 1972. Cover design by Jósef Mroszczak
More graphic design artefacts
Dutch Art + Architecture Today 04, 1978. Designed by Jan van Toorn
From the design archive:

Dutch Art + Architecture Today 04, 1978

  • Format: Magazine
  • Designer/s: Jan van Toorn
  • Year: 1978
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Domov, bytová kultura a technika v domácnosti - 5/1967
From the design archive:

Domov, bytová kultura a technika v domácnosti – 5/1967

  • Format: Magazine
  • Designer/s: Mirek Juna
  • Year: 1967
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Josef Albers: Ausstellung zum 100. Geburtstag, Ulmer Museum, 1988
From the design archive:

Josef Albers: Ausstellung zum 100. Geburtstag, Ulmer Museum, 1988

  • Format: Exhibition Catalogue
  • Year: 1988
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Design No.157 May 1972. Cover design by Koji Kusafuka
From the design archive:

Design (Japan), 157, 1972

  • Format: Magazine
  • Designer/s: Koji Kusafuka
  • Year: 1972
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More graphic design history articles
montages5
  • Designer Profile

Ken Garland

Ken was born in 1929, in Southampton and grew up in a small market town in North Devon. He was a principled man, with strong values and views against the hyper-consumerism we live with today. Ken studied at the London Central School of Arts and Crafts in the 1950s and was taught by Herbert Spencer, Anthony Froshaug and Jesse Collins. Whilst at the School he studied alongside designers Ken Briggs, Alan Fletcher and Colin Forbes.

Members Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG
  • Design Archive Feature, Members Only Content

Wolfgang Bäumer, Singular Graphic Composition, the advertisements of the Klöckner-Werke AG

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
The Birth of a Style. The Influence of the Basel Educational Model on Swiss Graphic Design, Triest Verlag, 2024 
  • Design Books

The Birth of a Style The Influence of the Basel Educational Model on Swiss Graphic Design

Founded in 2015, Triest Verlag für Architektur, Design und Typografie have published notable works on graphic design history, including biographies of Othmar Motter, studies on Eugen Gomringer’s typography and poetry, Ernst Keller’s teachings. Thier latest book The Birth of a Style, focuses on the influence of the Basel Educational Model on the evolution of Swiss graphic design into the renowned international style.

Members Content

Siegfried Odermatt advertisment designs for Grammo Studio
  • Design Archive Feature, Members Only Content

Siegfried Odermatt and the Swiss Design for Grammo Studio

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.