Publimondial 81, 1956

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Content includes:
A French Adman’s Impressions of the U. S. A.: An Interview With Henri Henault
The 1955 Advertising Oscar – The Gaz De France.
The French Daily Press Since 1944, by Claude Bellanger
Verigoud, Django And Pschitt : Three Oustanding Campaigns Of 1955.
Floris
New Posters Of Promise, by Pierre Mornand
Press Advertising: Juvenalia
Selection, A Digest of World News In The Field of Advertising and the Graphic Arts, by Mostyn Mowbray

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Publimondial 81, 1956
Publimondial 81, 1956
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He designed stamps from around 1955 and in the book Karl Oskar Blase, Briefmarken-Design, Verlag für Philatelistische Literatur, 1981, he was described as one of the most influential stamp designers in Germany.

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Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.