Rassegna 14, The Materials of Design, 1983

Information

Content includes:
Zig-zags Strips and Shapes by Tilmann Buddensieg
Ceramic as an Industrial Product by Andrea Thym
The Mannesmann Case by Otakar Macel
Necessity: Mother of Invention by Manolo De Giorgio
The Italian Way in Plastics by Giampiero Bosoni
Jean Prouve: The Great Tinsmith by Francois Chaslin
Applied Aluminum by Giampiero Bosoni and Manolo De Giorgi
Depero and the Industrial Art of Buxus by Paolo Thea
Linoleum by Torsten Ziegler
Leo Baekeland and the First Synthetic Material by Patricia Griffiths-Waddle
Pigro: Una nuova “machine a repos”, Progetti di Carlo Bimbie e Nilo Gioacchini, B&B Italia
Galerie Castelli: Allestimenti per lo showroom di Parigi Castelli
Esprit Nouveau: Riproducibilita du un modello, Grandi Lavori Strutture
La qualita della visione: Nove appuntamenti con la pubblicita, iGuzzini illuminazione
Mobili, componibilita, pareti: La serie 505 Large, Progetto di Luca Meda, Molteni & Co.
L’ascensore tra passato e futuro: Nuovi ascensori per edifici risturrati, Sabiem
L’evoluzione della serie: Forni e piani ad incasso, Ariston

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Rassegna 14, The Materials of Design, 1983
Rassegna 14, The Materials of Design, 1983
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The Utah State University (USU) houses a vast collection of Outdoor Recreation Catalogues and magazines, You can browse and search records of more than 8,000 catalogues and magazines from over 500 companies, including manufacturers like Lowe Alpine and Sierra Designs to retailers like Eastern Mountain Sports and REI.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.
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