Revue Faire, n°16 — A reproduction: what El Lissitzkzy wants, 2019

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Author: James Langdon

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Revue Faire, n°16 — A reproduction: what El Lissitzkzy wants, 2019
Revue Faire, n°16 — A reproduction: what El Lissitzkzy wants, 2019
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
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Ryuichi Yamashiro (山城隆)  was a Japanese graphic designer and artist, born in Osaka in 1920. He belonged to the same generation of pioneering Japanese designers as Kohei Sugiura, Kiyoshi Awazu, Yoshio Hayakawa, Yūsaku Kamekura, Kazumasa Nagai, and Ikko Tanaka.  

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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.

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The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.