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The first issue of Show magazine focused on the performing arts. The magazine was published by Huntington Hartford, with a cover designed by Henry Wolf, who was also the art director for the magazine, after a working for three years at Harper’s Bazaar. Henry Wolf became a key figure in publication design in America during the 1950s and 1960s, pioneering experimental bold layouts and cover designs.

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Show, October 1961. Designed by Henry Wolf.
Show, October 1961. Designed by Henry Wolf.
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From the design archive:
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.