The Journal of Decorative and Propaganda Arts 04, Spring 1987

Information

Content includes:
The Search for Visual Democracy – Isabelle Anscombe
New Classicism: Design of the 1920s in Denmark – Claire Selkurt
Oto Gutfreund and the Czech National Decorative Style – Penelope Curtis
Joe Jones: Regionalist, Communist, Capitalist – Karal Ann Marling
DAPA Duoview: Dianne Pilgrim and Richard Guy Wilson – DAPA, Dianne Pilgrim and Richard Guy Wilson
Rome Letter from Exoticism to Abstraction through the 1930s – Mario Quesada and Shara Wasserman
London Letter – Peyton Skipwith
Correction: Interview: Piero Fornasetti/Intervista: Piero Fornasetti

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The Journal of Decorative and Propaganda Arts 04, Spring 1987
The Journal of Decorative and Propaganda Arts 04, Spring 1987
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More graphic design history articles

Members Content

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.

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Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.

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Forward and a selection of poster designs entered to the Die besten Plakate des Jahres 1963. Featuring the work of Hans Hartmann, Jörg Hamburger, Jost Hochuli, and Armin Hofmann.

Members Content

As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.