The Journal of Decorative and Propaganda Arts 18, Argentine Theme Issue, 1992

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Content includes:
The Bariloche Style – Martha Levisman de Clusellas and Theodore McNabney
Héctor Basaldúa and the Colón Theater: Thirty Years of Stage Design – Emilio Basaldúa
Argentine Architecture of the Thirties – Ernesto Katzenstein and Edward Shaw
José María Sert in Buenos Aires – Guillermo Whitelow and Edward Shaw
Monumental Deco in the Pampas: The Urban Art of Francisco Salamone – Alberto Bellucci and Theodore McNabney
An Approach to Social Realism in Argentine Art: 1875-1945 – Marcelo Pacheco and Jon R. Snyder
Rediscovering the Master “Fileteadores” of Buenos Aires – María Estenssoro
High Fashion: The Search for a Style – Elena Moreira and Edward Shaw
An Interview with José María Peña – Edward Shaw and José María Peña
Public Sculpture – José María Peña and Edward Shaw
“Art-Nouveau” Stained Glass and Ironwork – José María Peña and Jon R. Snyder

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The Journal of Decorative and Propaganda Arts 18, Argentine Theme Issue 1992
The Journal of Decorative and Propaganda Arts 18, Argentine Theme Issue 1992
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Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

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The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.