TypeNotes: A journal dedicated to typography & graphic design, No.2 2018

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Content includes:
Tap dance, How the typewriter changed the way we communicate
Skin deep, Tattooing and lettering
Five things… I look for when hiring a designer, Jack Renwick, Jack Renwick Studio
Freelance life, A comic by Babak Ganjei
Journey into spacing, An exploration of space in font design
Five things… I look for when hiring a designer, Philip Carter, Carter Studio
Piece by piece, Laura Snoad looks at the creation of a masthead
Brushes with greatness, Better Letters founder Sam Roberts in conversation with hand letterers Barbara Enright and Carla Hackett
Five things… I look for when hiring a designer, Jamie Ellul, Supple Studio
Mint Never Hinged, lain Follett shares his graphic stamp collection
Typography takes a trip, Nigel Waymouth looks back at what “psychedelia” really means
Five things… I look for when hiring a designer, Grant Dickson, Venturethree
Eenheidsworst: Has “less is more” gone too far? VBAT designers give their opinion on homogenisation in design
An introduction to digital type tools, A guide to type design software
Money makers, O Street tells us about making banknotes
Behind the scenes, Peek into Richard Kindersley’s stunning stone carving workshop
Type porn, Peep at the x-rated adult movie posters of the 60s and 70s
Five things… I look for when hiring a designer, Astrid Stavro, Atlas
Sketching it out, Jack Sachs reveals his process
Mad men, Inspiration from Milton Glaser
A series on punctuation, A look at asterisks, the octothorpe and section symbol
Forgive us our signs, Small businesses punning masterpieces

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TypeNotes: A journal dedicated to typography & graphic design, No.2 2018
TypeNotes: A journal dedicated to typography & graphic design, No.2 2018
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the ambitious new monograph Rational Simplicity: Rudolph de Harak, Graphic Designer, Volume shines a light on the complete arc of the exceptionally rich and varied career of Rudolph de Harak, showcasing his vibrant, graphic, formally brilliant work, which blazed a colourful trail through the middle decades of the twentieth century.