TYPEONE Magazine — Issue 02, 2021

Information

‘Kinetic (moving) type has seen an abundance of exponential growth in the last 50 years as the possibilities of matching text and motion has grown in direct correlation to the equally exponential, if not more so, developments in technology. Having manifested itself and created a solid home in our design industry, for the second issue of TYPEONE magazine, they explore the methods, the logic, and the creatives behind this exciting niche using QR code technology to translate static content to moving imagery.’

Details

Linked Information

TYPEONE Magazine — Issue 02, 2021
TYPEONE Magazine — Issue 02, 2021
TYPEONE is the only bi-annual magazine in the world that uses creative type mediums as a gateway to explore topics such as culture, business, technology, innovation, and design.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
Marin Lorenz has had an amazing career, designing for clients such as ESPN and Nike, teaching at some of Europe's leading design schools and publishing books, such as Flexible Visual Sytems, documenting his research and approach to design practice.
A few years ago the publicity department of Siam di Tella found a collaborator who early in his studies of architecture was attracted by the problems of visual art. His name is Guillermo González Ruiz he was born in Chascomus (Province of Buenos Aires) in 1937. Between 1957 and 1960 he received 18 awards in poster competitions, some of which were of particular importance.

Members Content

Advances in production and 1950s chewing gum marketing. From Wrigley's iconic "Spearman" ads to Hiroshi Ohchi's designs for Harris Chewing Gum.