Information

Content includes:
Gregory Vines, Basel: Zur Gestaltung der 6 TM-Umschläge für 1978
Jost Hochuli, St.Gallen: Ein systematischer Schriftunterricht: Hermann Eidenbenz, Magdeburg, 1926–1932
Kaderschulung, AGS Basel
Vorwort: Niklaus Morgenthaler, Direktor der Kunstgewerbeschule Basel
Robert Büchler, Basel: Betriebswirtschaftliche Kaderschulung ohne gestalterischen Bezug?
Fridolin Bieger, Basel: Die Revolution sah anders aus
Roger Chatelain : Montage papier – Procédé négatif – Gamme de gris
F. Brunner, H. Hügi, K. Ringer : Contrôle de la qualité en impression offset
A propos d’une exposition de reliure
C. Meyer : Rouleaux de machines à plier, soins et remplacements
Défense de la langue française

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Typografische Monatsblätter, 02, 1978. Cover design by Gregory Vines
Typografische Monatsblätter, 02, 1978. Cover design by Gregory Vines
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
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Members Content

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

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Omnibus was Published by the journalism working group of the Technical University of Braunschweig. A square publication measuring 290mm. The publication included features on politics, arts and culture. With advertisements carefully selected to be in keeping with the visual aesthetic. Content also included exhibition information and a fine example of concrete poetry, among artists such as Schröder-Sonnenstern and Sine Hansen.
A new online archive makes the complete works of the famous graphic designer accessible

Members Content

The typographic designs produced for the National Theatre by Ken Briggs are not only iconic and depict the Swiss typographic style of the time, but remain a key example of the creation of a cohesive brand style.