Join the Mailing List

Membership

Graphic Design History from Design Reviewed

Typographische Jahrbucher, 40 Jahrg., Heft 4, 1919

Information

Details

  • Format: Magazine
  • Year: 1919
  • Client/Publisher: Herausgegeben vom Technikum, fur Buchdrucker
  • Size: 198mm x 275mm

Linked Information

Typographische Jahrbucher, 40 Jahrg., Heft 4, 1919
Typographische Jahrbucher, 40 Jahrg., Heft 4, 1919

 

Typographische Jahrbucher, 40 Jahrg., Heft 4, 1919 Inner Ciontent
Typographische Jahrbucher, 40 Jahrg., Heft 4, 1919 Inner Ciontent

 

Typographische Jahrbucher, 40 Jahrg., Heft 4, 1919 Inner Ciontent
Typographische Jahrbucher, 40 Jahrg., Heft 4, 1919 Inner Ciontent
More graphic design artefacts
Idea 109, 1971-11. Cover design by Annegret Beier
From the design archive:

Idea 109, 1971-11

  • Format: Magazine
  • Designer/s: Annegret Beier | Photo: Hans Mauhi
  • Year: 1971
View Artefact
Impact 2.0 - Design magazines, journals and periodicals [1974–2016] [Unit 28]
From the design archive:

Impact 2.0: Design magazines, journals and periodicals [1974–2016] [Unit 28]

  • Format: Book
  • Designer/s: Spin, Unit Editions
  • Year: 2016
View Artefact
Eye, Issue 006, Spring 1992
From the design archive:

Eye, Issue 006, Spring 1992

  • Format: Magazine
  • Year: 1992
View Artefact
Gebrauchsgraphik, 03, 1935. Cover Design by Werner Brand
From the design archive:

Gebrauchsgraphik, 03, 1935

  • Format: Magazine
  • Designer/s: Werner Brand
  • Year: 1935
View Artefact

view more of the graphic design archive

More graphic design history articles
IMG20220210120614
  • Designer Interview

Designers and Books Series – Sébastien Hayez

I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.

Members Content

Postmodernism - Wet Magazine, Vol 4 Issue 2, 1979. Designed by April Greiman
  • Design Archive Feature, Members Only Content

A New Visual Language: From New Wave to Postmodernism in Graphic Design

A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.
Mark_Bloom_landscape copy
  • Designer Interview

Designers and Books Series – Mark Bloom

Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.
Poster designed by Ernst L. Franke
  • Design Archive Feature

The Inventive Publicity of Austria, 1930 by John Harrison

A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.