Typography papers 1, Department of Typography & Graphic Communication, University of Reading, 1996

Information

Content includes:
Maxim Zhukov: The peculiarities of Cyrillic letterforms: design variation and correlation in Russian typefaces
Paul Stiff: Instructing the printer: what specification tells about typographic designing
Margaret M. Smith: The typography of complex texts: how an early printer eliminated the scribes’ red
Yateendra Joshi: Design specification for tables: a case study
Andrew Boag: Typographic measurement: a chronology
Alan May: Roman bronze inscriptional lettering: a note on methods of production

Details

Linked Information

Typography papers 1, Department of Typography & Graphic Communication, University of Reading, 1996
Typography papers 1, Department of Typography & Graphic Communication, University of Reading, 1996
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.
Oskar Reiner advertisements for Opel distinguish themselves by clarity and visually appealing conception.

Members Content

The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.

Members Content

Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.