Typos 1, An International Journal of Typography, 1980

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Content includes:
About Typos – Fred Lambert
Total Design of Amsterdam – Huib van Krimpen
Typography and Symbolism – Clive Ashwin
Matrix Making and Type Design 1900-13 – John Dreyfus
The use of Photographic Images – Armin Hofmann
A Deck of Cards
The Designer’s Grid – Allen Hurlbert
From Craft to System – Alan Bartram
Edward Johnston – Barney Somers
New Johnston – Colin Banks
Lou Dorfsman – Allen Hurlbert
Oliver Simon: An English Typographer – Basil Harley
Bi-lingual Typography – Maldwyn Williams

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Typos 1, An International Journal of Typography, 1980. Fred Lambert and Usha Agarwal
Typos 1, An International Journal of Typography, 1980. Fred Lambert and Usha Agarwal

 

Typos 1, An International Journal of Typography, 1980. Fred Lambert and Usha Agarwal
Typos 1, An International Journal of Typography, 1980. Fred Lambert and Usha Agarwal
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In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.

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Yūsaku Kamekura had a long list of clients and as well as cover designs, he worked across logo and brand design, packaging, book design, and other printed matter, but he is particularly known for his poster design. His clients included Nikon, Tokyo 1964 Olympics, Meiji and TDK.

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When perusing vintage publications, I often stumble upon forgotten or undocumented gems. In this article, I compare two remarkable advertisements designed for Sprengel Ltd byHerbert Zumpe and Karl Otto Goetz