Victor Vasarely, Stedelijk Museum, Amsterdam, 1967

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Victor Vasarely, Stedelijk Museum, Amsterdam, 1967. Designed by Wim Crouwel and Josje Pollmann (Total Design)
Victor Vasarely, Stedelijk Museum, Amsterdam, 1967. Designed by Wim Crouwel and Josje Pollmann (Total Design)
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In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.