Visible Language (The Journal of Typographic Research), Vol 02, 03, July 1968

Information

Content includes:
Quantifying Order in Typographic Design, Gui Bonsiepe
‘Writing’ and “Alphabet,” John Mountford Standardization of Alphabetic Graphemes, S. B. Telingater
Typographic Anamorphosis, Jan Slothouber and William Graatsma
Towards a Standard for Measuring the Accuracy of Any Computer-hyphenation Program, Dwight D. Brown
Pictures to be Read/Poetry to be Seen, Jan van der Marck
The A.Typ.I. Legibility Research Committee Report
Commentary: Psychological Research into Legibility, Jeremy J. Foster

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Visible Language (The Journal of Typographic Research, Vol 02, 03, July 1968
Visible Language (The Journal of Typographic Research, Vol 02, 03, July 1968
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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These one-colour forms have a playful but structured aesthetic through their geometric forms, they remind me of the abstract line drawings of Picasso blended with Jan Tschichold and the New Typography.

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A collection of letterpresses German brochures from 1959/1960 designed by Hans Geipel for Süddeutsche Rundfunk (SDR), the South German Radio Network based in Stuttgart.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.

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The stamps for the 1970 editions were designed by Jan Slothouber and William Graatsma in collaboration with the Centre for Cubic Constructions (CCC) in Heerlen.  Every stamp displays a different corner point of the same block, highlighting eight distinct corner points, with four chosen for their unique identities.