Visible Language (The Journal of Typographic Research), Vol 04, 03, Summer 1970

Information

Content includes:
Words in Their Place, Rudolf Arnheim
Content includes:
Broken Scripts and the Classification of Typefaces, Gerrit Noordzij
The Siloam Inscription and Alphabetic Origins, Roy K. Patterson, Jr.
Times Roman: A Re-Assessment, Allen Hutt
Proposed American National Standard: Presentation of Alphameric Characters for Information Processing

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Visible Language (The Journal of Typographic Research, Vol 04, 03, Summer 1970
Visible Language (The Journal of Typographic Research, Vol 04, 03, Summer 1970
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Ezio Bonini's work for "Società del Linoleum" in Milan, showcasing advertisements designed for various Italian newspapers aimed at expanding the linoleum market

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Hiroshi Ohchi was a prominent Japanese designer, known for his playful and imaginative illustrated poster and packaging designs. He often combined bright colours with simple geometric forms and illustrated people and humanistic elements.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Beyond being mere artefacts of design, these examples encapsulate the dynamic changes Japan was undergoing during this period. The design output of this era not only served commercial purposes but also became a powerful medium for expressing these societal shifts.