Visible Language, Vol 09, 01, Winter 1975

Information

Content includes:
The Curious Role of Letter Names in Reading Instruction by Richard L. Venezky
Excerpt: Simplifying the ABC’s by Jay Doblin
The Photographic Restoration of Letterforms by Robert A. Hauser
Radial Design in Wallace Stevens by Terrance J. King
Comment: The Designer and Language by Alexander Nesbitt
Research in Brief: Shapes as Cues to Word Recognition by Patrick Groff
The Collages of William Dole

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Visible Language, Vol 09, 01, Winter 1975
Visible Language, Vol 09, 01, Winter 1975
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Tadashi Ohashi was at the forefront of Japan's postwar design movement, with his illustrations widely celebrated. In 1952, he became the chief designer for Meiji Seika Confectionery, producing some of his most renowned work.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

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As part of an ongoing series showcasing Swiss poster designs from the 1950s and 1960s, this article features 1961 poster entries of Die besten Plakate des Jahres (The Best Posters of the Year) 1961. Originating in 1941, Die besten Plakate des Jahres initially served as a platform for the evaluation and showcase of Swiss posters.

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After researching further into the work designed by their practice, I found ten programmes designed between 1958 and 1960. These programmes were designed for a variety of live jazz events in Germany and all followed the same format.