Visible Language, Vol 09, 03, Summer 1975

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Content includes:
Line Transmitter Installation – A Poem in the Environment by Mark Mendel
Reading Before Speaking by Danny D. Steinberg, Miho T. Steinberg
Methods of Research in Renaissance Manuscripts by Paul Oskar Kristeller
Acquisition of Writing Skills by Roy A. Moxley, Jr.
The Medial Aspect of Language: A Linguistic Framework for Literacy by John Mountford

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Visible Language, Vol 09, 03, Summer 1975
Visible Language, Vol 09, 03, Summer 1975
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Joseph Binder established his studio, Wiener Graphik, in Vienna. One of the first clients was the City of Vienna’s Music and Theater Festival, followed by many other posters and logos for clients in Austria and beyond.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.

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Kohei Sugiura’s work spans an impressive range of mediums, including record jackets, publication covers, posters, exhibition catalogues, and stamps. He perfectly merged functionality and data visualisation with aesthetics. Drawing on his background in architecture, Sugiura applied a systematic, programmatic methodology to graphic design, similar to the approach of Swiss designer Karl Gerstner. 

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Theo Crosby was born in South Africa in 1925 and moved to Britain in the late 1940s. He was a highly skilled designer, architect and sculptor. He became the technical editor of Architectural Design magazine in 1953 and remained in the post for almost a decade. The large format magazines feature an array of content including information on buildings, materials and architectural plans.