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Idea 81, 1967. Cover design by Yusaku Kamekura

Elements of Idea “The Arrow” by Shigeo Fukuda, 1973

The versatility of the arrow sign knows no bounds – from thin lines exuding delicacy to thick, heavy-set lines conveying stability and weight. Depending on its construction, the arrow sign can speak with individuality, even possessing psychological and emotional expression.

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Shigeo Fukuda - Graphic Designer - Japan

Shigeo Fukuda was born in Tokyo in 1932 and graduated from the Department of Design at Tokyo National University of Fine Arts and Music in 1956. He has served as vice-chairman of the Japan Graphic Designers Association (JAGDA) and was a member of both the Alliance Graphique Internationale (AGI) and the Royal Designers for Industry. His work has been showcased in solo exhibitions at notable venues such as the IBM Gallery in New York, the Asia Museum in San Francisco, and the Museum of Modern Art in Quimper, France.
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9 jaar Stedelijk Museum Amsterdam, 1945-54 designed by Willem Sandberg
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Kast + Ehinger (K+E) Advertisement. Back page of a 1960s issue of Gebrauchsgraphik. Designer Unstated
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Bicycle Maintenance and Adjustment, Guide, The Royal Society for the Prevention of Accidents (RoSPA), c. mid 1970s
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Japanese Ephemera from the 1920/30s
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