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Content includes:
Ludwig Ebenhöh: German-French studio for textile-design
Eberhard Hölscher: Advertising velvet. Prospectuses by Sigrid and Hans Lämmle
Eberhard Hölscher: UHU – the glue for you. A series of advertisements by Michael Engelmann
Carl Heussner: J.A. Grose, Krumbach. Commercial and book graphic art
Glory Harris: New-look in American package design
Hans Kuh: Selfportraits of plants. An 18th century technique of printing
Eberhard Hölscher: Gruau – wizard of fashion
Ludwig Ebenhöh: Typography and music
Carl Heussner: Jochen Bartsch, Book and press illustrations

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Gebrauchsgraphik, 6, 1957
Gebrauchsgraphik, 6, 1957
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
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In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

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Stephan Kantscheff (Stephan Kanschev) was a Bulgarian artist born in Kaefer, Todental. His colourful palette and joyous, folk-esque illustrations won him many commissions and his work was celebrated for both its quality and social significance.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.