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Content includes:
Alexandre Alexandre – Antoni Clavé – Stage-settings and Gebrauchsgraphik Graphic Advertising Art
Eberhard Hölscher – German Posters 1959/60
Remigius Netzer – Wilhelm Neufeld- Illustrations for Goethe’s «Faust-
J. J. Meyer – Leaders for English Tele-Broadcasts
Carl Heussner – New Departure in Automobile Advertising
Eberhard Hölscher – Old Polish Wood-Cuts
Ludwig Ebenhöh – Barbara and Hannes Geissler – Graphic Advertising Art
Hans Kuh – New Devotional Pictures from America
Alexandre Alexandre – Wine labels by French Painters
«Neue Haas-Grotesk» – a type of the Haas’sche Gießerei, Münchenstein Switzerland

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Gebrauchsgraphik, 8, 1960
Gebrauchsgraphik, 8, 1960
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
In the late 1960s, IBM was one of the world’s pre-eminent corporations, employing over 250,000 people in 100 countries. While Paul Rand’s creative genius has been well documented, the work of the IBM staff designers who executed his intent outlined in the IBM Design Guide has often gone unnoticed.

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Collected Japanese ephemera From the late 1920s to the mid-1930s, from Japan's transformative period, with its robust industrial force accompanied by an increase in consumer culture.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.