Information

Content includes:
Eberhard Hölscher – Product Design Packages by Heinz Schwabe
Karel Trinkewitz – Zdenek Ziegler, A Commercial Artist from Prague
Thomas Lüttge – Actiographie Photos by Thomas Lüttge
Hans Kuh – American Advertisements
Remigius Netzer – «Tyll Ulenspiegel and Lamm Goedzak» Illustrations by Siegfried Oelke
Alexandre Alexandre – Claude Bonin OFREP
Liselotte Hansmann – Signs of Pilgrimage from the 13th and 14th Centuries, Design and Religious Customs
Ludwig Ebenhöh – Cartoons By Günter Pasteur

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Linked Information

Gebrauchsgraphik, 5, 1967
Gebrauchsgraphik, 5, 1967

Gebrauchsgraphik, 5, 1967 Inner Pages
Gebrauchsgraphik, 5, 1967 Inner Pages

 

Gebrauchsgraphik, 5, 1967 Inner Pages
Gebrauchsgraphik, 5, 1967 Inner Pages
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From the design archive:
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Members Content

Volkswagen commissioned a fantastic range of graphic designers, including Wolf Zimmermann, Hans Looser and Michael Engelmann. The designers amplified the brand image of Volkswagen with strikingly modern designs.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

Members Content

Advertisements from post-World War II Britain for British Aluminium Company. Designs by Abram Games, Tom Eckersley, FHK Henrion, Pat Keely, and James Hart, who collectively crafted over 100 four-color and 300 black-and-white advertisements.
I have always loved the design work created for Olivetti. The colourful midcentury designs by Italian designer Giovanni Pintori, the minimal typographic poster by Swiss designer Walter Ballmer and my personal favourite the 1959 poster for Olivetti designed by Herbert Bayer. I recently found out Triest Verlag released a new book, Visual identity and branding at Olivetti which contains further work by Xanti Schawinsky, Renato Zveteremich, Ettore Sottsass, Hans von Klier, Egidio Bonfante and Walter Ballmer.