Information

Content includes:
Eberhard Hölscher – Prinz Braü, the Advertising Campaing of an Italian Brewery
Eberhard Hölscher – Bulgarian Theater Posters
J.J. de Lucio-Meyer – Romek Mearber, Vision and Reality
Armin Eichholz – Peter Proksch, a Viennese Illustrator
Hans Kuh – Wolfgang Walther, Pharmaceutical Advertising for the F. Hoffmann-La Roche, Bâle
Theodor Hilten – Photo-Graphics by Werner Keidel
Franz Hermann Willis – Leo and Diane Dillon, New York, Graphic Art for Popular Scientific Works

Details

Linked Information

Gebrauchsgraphik, 3, 1968
Gebrauchsgraphik, 3, 1968
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
An article by Jan Tschichold illustrated with examples of publicity produced by Brann of Zürich.

Members Content

Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

Members Content

Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.

Members Content

The 1960s was an era characterised by political, social, and cultural shifts. The counterculture movement emerged as a response to the perceived failures of the mainstream establishment, sparking a wave of activism and alternative ideologies. And with these an array of printed matter. Counterculture publications, often referred to as the "underground press," became powerful platforms for dissent, expression, and the exploration of new ideas.