Information

Content includes:
Eberhard Hölscher – Picasso Posters
Armin Eichholz – Jan Lenica′s «Rhinos» · A New Animated Cartoon
Sigwart Blum – Guillermo Gonzàlez Ruiz, Argentinia
Eberhard Hölscher – Friederich Wilhelm Gubitz · Visiting Cards from Old Berlin
Alexandre Alexandre – Frank René Temstemale · The Publicity of the IBM in France
Hans Kuh – Asta Ruth-Soffner · Illustrative Graphic Advertising Art
Carl Heussner – Photographic Art · Photos by Klaus Warwas
Pieter Brattinga – Robert Indiana · Graphic Pictures

Details

Linked Information

Gebrauchsgraphik, 4, 1964
Gebrauchsgraphik, 4, 1964

Gebrauchsgraphik 4 1964 Inner D scaled

Gebrauchsgraphik 4 1964 Inner F scaled

Gebrauchsgraphik 4 1964 Inner A scaled

Gebrauchsgraphik 4 1964 Inner B scaled
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

I have a real passion for collecting Cinderella stamps and other ephemera and love the artistic and historical value of these items. The scarcity of some Cinderella stamps, especially those associated with significant historical events or rare advertising campaigns, makes them highly sought after in the philatelic world.
When Fritz Gottschalk and Stuart Ash joined forces in Montreal, it was a partnership ideally suited to the city's hybrid environment. Gottschalk's training in graphic design in Switzerland, Paris and London was rigid, his background European; Ash, Canadian born and educated, was trained in the North American fashion, though he was influenced by his work with European designers

Members Content

Karl Oskar Blase was born in 1925 in Cologne, Germany. He was a prolific painter, designer, sculptor and exhibition curator. His work included magazine covers, for publications such as Form and Gebrauchsgraphik, stamp designs for the German Postal Service and film posters for companies such as Atlas Films.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.