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Content incudes:
Theodor Hilten -Self -Advertising of the Studio Folio, Melbourne
Hans Kuh – The Timely Art Director – On the Work of Oskar Reiner
Sigwart Blum – Edgardo Giménez – An Argentine Poster Designer
Wolfgang Weingart – Drawings of Pakistan Children
Kurt Weidemann – TDC/11 Awards – The Annual Exhibition of the Type-Directors Club, New York
Bohumir Kafka – Posters from Czechoslovakia

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Gebrauchsgraphik, 1, 1966. Cover design by Rudolf Huber-Wilkoff
Gebrauchsgraphik, 1, 1966. Cover design by Rudolf Huber-Wilkoff
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From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.
The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.

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Industrial design was an American design magazine featuring furniture, ceramics, housewares, appliances, automobiles, buildings, radios, projectors, televisions, and many other objects designed for the postwar middle class. First published in the 1950s by Charles Whitney with Alvin Lustig as art director.

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The 1960 awards presented 420 poster entries from Swiss designers. Notable winners included Robert Büchler's typographic poster for the Museum of Applied Arts Basel and J. Müller-Brockmann’s Der Film poster for the Museum of Applied Arts and Gerstner + Kutter's asymmetric typographic poster for National-Zeitung SA Basel.