Information

Content includes:
Eberhard Hölscher – Paper As A Vehicle Of Art Posters by Albrecht Ade
Erich Pfeiffer-Belli – Artistic Collage
Franz Hermann Willis – New American Packages
Elfriede Otto – Fashion Graphics by Barbara Buchwald
Raimondo Hrabak – Studio Coppola, Milan Italian Commercial Art
Walter Plata – NK: Nordiska Kompaniet Advertising Of A Swedish Department-Store
Hans Kuh – The Magic Of A Tyre Work-Shop. APhotographic Report By Marlis Glasauer
Ludwig Ebenhöh – Posters And Programs For The WDR by Anton Wolff

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Gebrauchsgraphik, 2, 1969
Gebrauchsgraphik, 2, 1969
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Mark Bloom has designs for globally recognised brands, produces some of the finest, most accessible modern typefaces and heads up Mash Creative and CoType Foundry. His type foundry has always been a port of call for our studio's brand projects and he continues to develop these, each with a fantastic print specimen.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

Members Content

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.