Kurt Wirth

Sabena Convair CV-440 Metropolitan, 1956

Information

Details

Kurt Wirth was born in Bern in 1917 and studied graphics from 1933 to 1936. He  opened his illustration studio in 1937, working with newspapers and magazines. His first exhibition took place in 1943. In 1951, he traveled to Paris, southern France, and Italy, expanding his work to include posters for Swissair, exhibitions, and tourism. From 1956 to 1959, he led the Association of Swiss Graphic Designers. In 1960, he resumed art and study trips to various countries and designed book covers for Fischer editions, posters for pharmaceutical companies, and wrote a drawing manual in 1965.

Linked Information

Sabena Convair CV-440 Metropolitan, 1956. Designed by Kurt Wirth
Sabena Convair CV-440 Metropolitan, 1956. Designed by Kurt Wirth
Sabena Convair CV-440 Metropolitan, 1956. Designed by Kurt Wirth
Sabena Convair CV-440 Metropolitan, 1956. Designed by Kurt Wirth
Sabena Convair CV-440 Metropolitan, 1956. Designed by Kurt Wirth
Sabena Convair CV-440 Metropolitan, 1956. Designed by Kurt Wirth
Kurt Wirth was born in Bern in 1917 and studied graphics from 1933 to 1936. He  opened his illustration studio in 1937, working with newspapers and magazines. His first exhibition took place in 1943. In 1951, he traveled to Paris, southern France, and Italy, expanding his work to include posters for Swissair, exhibitions, and tourism. From 1956 to 1959, he led the Association of Swiss Graphic Designers. In 1960, he resumed art and study trips to various countries and designed book covers for Fischer editions, posters for pharmaceutical companies, and wrote a drawing manual in 1965.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Parallel Public is a new publication by Sara Blaylock, published by MIT Press. The book documents the East German artists pioneering work that made their country’s experimental art scene a form of (counter) public life.
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.