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Content includes:
Jürgen Spohn – German Book-Jackets, Results of the Competition \”The Promotional Book-Jacket \’72\”
Liselotte Hansmann – \”The Pen-Ma\’s Paradise\”, The Ingenious Calligraphic Designs by the Pen-Man Jhon Seddon, England, 1695
Hans Kuh – Record Sleeves, Design by Ulrich Eichberger
J. Müller-Brockmann – Edgar Reinhard, Designs for IBM, Switzerland
Maria Martini – Primordial Creatures born of refuse Object-Pillars by Inge Prokot
Jan Berger/Joachim Giebelhausen – \”Next, please…\” New Ways of Medical Information
Remigius Netzer – The Ditch Illustrator Kurt Löb
Raimondo Hrabak – The \”Alphabet of Lovers\” Photos by Mario de Biasi, Milan

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Novum Gebrauchsgraphik, 9, 1972
Novum Gebrauchsgraphik, 9, 1972
More graphic design artefacts
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From the design archive:
From the design archive:
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More graphic design history articles

Members Content

Katayama worked in several art and design disciplines from graphic design and sculpture to environmental works and sculpture. His design work features rhythms and patterns and has a resemblance to modern jazz and the studies of Josef Albers.

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Oldřich Hlavsa worked primarily in publication design and typography and played a major part in Czech graphic design history. He designed over 2000 book covers and published a series of his own books related to typography.
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.
Theo Häussler's commercial art is distinguished by its clear and disciplined form and its distinct advertising message.