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Graphic Design History from Design Reviewed

And So To Sew Bulletin 24a, 1950s

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Details

  • Format: Bulletin
  • Designer/s: Unknown
  • Year: 1950s
  • Client/Publisher: The Needlework Development Scheme
  • Size: 215mm x 280mm

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And So To Sew Bulletin 24a
And So To Sew Bulletin 24a
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Idea 154, 1979-5. Cover design by John McConnell
From the design archive:

Idea 154, 1979-5

  • Format: Magazine
  • Designer/s: John McConnell
  • Year: 1979
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Publicité 10, Review of advertising and Graphic Art in Switzerland, 1959. Cover design by Pierre Monnerat
From the design archive:

Publicité 10, Review of advertising and Graphic Art in Switzerland, 1959

  • Format: Book
  • Designer/s: Pierre Monnerat
  • Year: 1959
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Gebrauchsgraphik, 5, 1964
From the design archive:

Gebrauchsgraphik, 5, 1964

  • Format: Magazine
  • Year: 1964
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Omnibus 9, University of Braunschweig, 1964. Designed by Udo Zisowsky in collaboration with Peter Riefenstahl, Manfred Bremeler, Ralf Dierig
From the design archive:

Omnibus 9, University of Braunschweig, 1964

  • Format: Magazine
  • Designer/s: Udo Zisowsky in collaboration with Peter Riefenstahl, Manfred Bremeler, Ralf Dierig
  • Year: 1964
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Postmodernism - Wet Magazine, Vol 4 Issue 2, 1979. Designed by April Greiman
  • Design Archive Feature, Members Only Content

A New Visual Language: From New Wave to Postmodernism in Graphic Design

A 1,500 essay on the transformative era of graphic design from the 1970s to the 1990s. Moving beyond the constraints of modernism, designers like Wolfgang Weingart and April Greiman redefined visual communication through bold experimentation with type, colour, and early computer graphics. This essay highlights how postmodernism and New Wave design introduced complexity, individuality, and digital innovation in to graphic design.

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Gebrauchsgraphik, 5, 1961 copy 3
  • Design Archive Feature, Members Only Content

The selected poster designs for the Swiss Posters of 1960 award

The Best Swiss Posters Award was an annual competition, judged by a Swiss Jury. They selected a range of posters, showcasing a range of poster styles from completely typographic designs such as the work of Robert Büchler, to the illustrated posters of Donald Brun.

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Hermann Rastorfer, VW 1500 Advertisment. Early 1960s. Scanned from Gebrauchsgraphik, 07, 1962 Cropped
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A New Visual Aesthetic. Hermann Rastorfer and the advertising for Volkswagen

Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign 
Glorious Devon, S.P.B. Mais, Great Western Railway Company, 1934. Cover design by Edward McKnight Kauffer
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The E. McKnight Kauffer 1955 Exhibition at the Victoria and Albert Museum by F.H.K Henrion

A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion