Information

Editor: Yoshihisa Ishihara
Art Director: Hiroshi Ohchi
Cover Design: Richard Hess

Content includes:
A Dialogue with Mr. Richard Hess by Jitsuo Hoashi
The Competition Grafik Design Deutschland ’69/70
Illustrator Frank Bozzo
Creative Works of Prof. Frantisek Belohlávek by Hiroshi Ohchi
Creations of Czechoslovac Art Designer Professer Frantisek Belohlávek by Bohumír Kafka
Greeting Card and Calendar ’72
From Cube to Space by Naoki Yoshimoto
Ayao Yamana and his illustration

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Idea 113, 1972-7. Cover design by Richard Hess
Idea 113, 1972-7. Cover design by Richard Hess
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
In minor printed matter we constantly meet the new typography, but it is relatively rare to find posters designed on the new lines. And yet poster-designing is a field where new typographical methods might be employed with great effect.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
A country is never dead so long as it has an art. Austria is a proof of this maxim. Its liveliness since the war is liveliness which has displayed itself in the arts to a remarkable extent : it deserves the world's admiration and respect.

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Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.