Idea 134, 1976-1

Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office and Midori Imatake
Cover Design: Seymour Chwast

Content includes:
The One Show 1975 Co-sponsored by the Art Directors Club of New York and the Copy Club of New York
Mr. Lou Dorfsman, Ex-president of the Art Directors Club, Talks About the 3rd One Show Interview with Mr. Dorfsman, interviewer: Shin’ichiro Tora
Ms. Ellen Hedy Schultz, New President of the Art Directors Club
On Entries from Japan for International Division Interview with Mr. George Nakano, Judge, International interviewer: Shin’ichiro Tora
Separate Awards Presentation for Advertising and Editorial & Graphic Design Departments in the 3rd One Show Interview with Mr. Bernie Zlotnick Chairman of the 3rd One Show inteviewer: Shin’ichiro Tora
Editorial & Graphic Design Awards in the 3rd One Show Interview with Mr. Seymour Chwast, Co-chairman of the Editorial Graphic Design Jury interviewer: Shin’ichiro Tora
On The One Show Exhibition by Shin’ichiro Tora
An Approach to International Symbol System, AIGA Proposes a New Set of Transportation Symbols by Shigeo Fukuda
A City Graphics Program for Rochester, New York by Midori Imatake
Keith Godard of Works Kenneth Frampton
Works selected by ADC of Tokyo, 1975 Ryuichi Yamashiro
“International Advertising & Graphic Exhibition” and “Design & Art Directiors of London”
Yoshio Hayakawa’s Personal Exhibition by Shin’ichi Segi
Corporate Marks Designed by Sudarshan Dheer by Yasaburo Kuwayama
Paul Davis Exhibition in Japan
The 35th Annual Exhibition of Art Culture Association

Details

Linked Information

Idea 134, 1976-1. Cover design by Seymour Chwast
Idea 134, 1976-1. Cover design by Seymour Chwast
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Members Content

Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

Members Content

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

Members Content

The designer is unstated on these postcards, which were designed during the mid to late 1970s, but these playful illustrations alongside what looks to be Frankfurter Bold definitely fit the criteria of friendliness and efficiency
I have been reproached for this, and I will surely be reproached again. I have also been reproached for reading more and more obscure works whose readership must be limited to a handful of specialists and a few hobbyists like myself. It’s a heavy passion or a passion that sucks.