Information

Editor in chief: Yoshihisa Ishihara
Assistant Editor: Tadashi Hamada
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake
Cover Design: Jan Rajlich

Content includes:
David Hillman’s editorial design for Nova Magazine by Shigeru Watano
Design Works by Jan Rajlich by Shigeo Fukuda
Frances Jetter: A new force in American art by Charles Goslin
Philip Chiang by Takenobu Igarashi
“Box and Cox” by Katsu Kimura by Shigeo Fukuda
“Exhibition of Works by Chubu Graphic Illustrators” Held in New York
Yuzo Matsumoto by Shigeru Watano
Graphic Design Grand Scale: IBM Interiors
Reading the City: Maps, Images, and the Japanese Sense of Place by Marc Treib
Impressions of Japan by Don Weller
Changing Illustrator: Tadanori Yokoo by Akiko Hyuga
Aspen, Colorado, U.S.A. by Kiyoshi Awazu
Report on My Participation of the International Design Conference in Aspen by Kazumasa Nagai
Report on the International Design Conference in Aspen by Don Weller
Sign design in Japan by Ryuichi Hamaguchi

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Linked Information

Idea 157, 1979-11. Cover design by Jan Rajlich
Idea 157, 1979-11. Cover design by Jan Rajlich
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Rudolph de Harak designed over 50 record covers for Westminster Records as well as designing covers for Columbia, Oxford and Circle record labels. His bright, geometric graphics can easily be distinguished and recognised.

Members Content

Wolfgang Bäumer's advertising design for Bayer, Klöckner Works and the Lottery. His adaptable design aesthetic alongside his skills of convening messaging through visuals are fantastic examples of mid-century German graphic design.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.
A new interpretation of the work of Bramante, suggesting an agenda for contemporary architectural practice.