Information

Cover Design: Jayme Odgers
Editor in chief: Yoshihisa Ishihara
Editorial Director: Noboru Sakamoto
Publisher: Shigeo Ogawa
Editorial Cooperation: Ohchi Design Office
Editorial Cooperation: Midori Imatake

Content includes:
Structured Chaos in Deep Space: The Work of April Greiman and/or Jayme Odgers by Marc Treib
Theatre Posters by Čestmeír Pechr by Jan Rajlich
Andre Toet by Shigeru Watano
Tets Yamashita by Takenobu Igarashi
AIGA: The Poster Show 1978
Calendar ’81
design now hong kong exhibit 1981 by Mutsuhito Kamiguchi
Kenzo Nakagawa, Graphic Street by Kazumasa Nagai
’81 Graduation Works of Graphic Design Students
Kenji Ito One-man Exhibition “Graphic Art + Metal Sculpture” by Shinichi Segi
Japanese Graphic Idea Exhibition ’81
The 41st Annual Exhibition of Art Culture Association

Details

Linked Information

Idea 167, 1981-7. Cover design by Jayme Odgers
Idea 167, 1981-7. Cover design by Jayme Odgers
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Crouwel was the successor to Willem Sandberg who used an avant-garde approach in his work, utilising torn-paper montage, mixing of sans serif and old Egyptian typefaces and often off-center positioning. Crouwel steered away from this artistic approach and implemented a cohesive design system and a strong identity that emulated the corporate identity boom of the 1950s and 60s.

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Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.

Members Content

Collected examples of the Royal Society for the Prevention of Accidents (RoSPA) Cycling Safety and Proficiency design output, a landmark initiative aimed at enhancing cycling safety.
Why Graphic Culture Matters is a compilation of 46 thought-provoking essays by renowned design critic Rick Poynor, delving into the realms of art, design, and visual communication.