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Content includes:
Henri Rousseau (Hans Naef)
The Calendar as Goodwill Publicity (P. Arthur)
Radio & Television – The Promotion of an Advertising Medium (Georgine Oeri)
Gene & Helen Federico (Paul Rand)
Herve Moran (William B. McDonald)
Hans Neuburg (Hans Fischli)
The Letter as a Work of Art (Charles Rosner)
Two Finnish Painters (Annikki Toikka-Karvonen)
Fritz Eichenberg (George Amberg)
Grandville (Denys Chevalier)
Gustave Dore. Caricatures from his School Days (Lucien de Dardel)
A Recently Discovered Drawing by Ingres (Hans Naef)

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Linked Information

Graphis 43 1952
Graphis 43, 1952. Cover design by George Giusti
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

Members Content

I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.

Members Content

Publimondial was founded André Roulleaux in 1942 and remained in circulation until 1960. The French journal was published by Art et Publications and was subtitled ‘The Magazine of Graphic Arts and Advertising Technique’.