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Content includes: Yoshio Hayakawa (Ryuichi Yamashiro)
Jacques Richez (Maria Netter)
Artists Announce the Stork’s Arrival (Maria Netter)
Hans Fischer. Murals (Manuel Gasser)
Atelier 17 (Stanley William Hayter/M. Clarac-Serou)
Two Boys visit a Motor Car Factory in Milan (Leonardo Sinisgalli)
Art in American Science Fiction (Ernst Lehner)
Harry O. Diamond on cooking (Philip & Helen Evans Brown)
Laboratori Crippa e Berger (Paul Arthur)
The University Centre of Caracas (F. Stahly)
Electronic Abstractions (Ben F. Laposky)

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Graphis 55, 1954. Cover design by Hans Fischer
Graphis 55, 1954. Cover design by Hans Fischer
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.

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Jazz Journal was first published in 1946 by Sinclair Traill, who also had some of his photographs used on the covers. The magazine is now online but remained in print for several decades, as Britain's longest enduring jazz magazine.

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.