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Content includes:
In Memoriam E. McKnight Kauffer (Charles Rosner)
Austrian Advertising and Editorial Art (Jorg Lampe)
Villemot (Francois Stahly)
Studio Stile (Dino Villani)
Collages – and the Breakdown of Optical Unity (Herta Wescher)
Hiroshi Ohchi (Georgine Oeri)
Piero Fornasetti. Printed Plates (Raffaele Carrieri)
Sculpture of the South Seas (Herbert Tischner)
The Poet as Artist (Denys Chevalier)

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Graphis 57, 1955. Cover design by Bernard Villemot
Graphis 57, 1955. Cover design by Bernard Villemot
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The first American university to accept graphic designers as members of the faculty was the Massachusetts Institute of Technology, called M. I. T, for short. The work created by the design group reflects the high level of instruction, the realistic setting of the training and the progressive philosophy of this institute.

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Magalhães developed over 180 brands and in addition to developing visual identities, he also developed designs for Brazilian notes and coins.
The most comprehensive account of ghost signs ever published, focusing on London’s hand-painted relics of advertising past

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Paul Rand, one of the most acclaimed American designers is known for his iconic corporate identities, playful illustration and commercial art. Paul wrote the preface for Yusaku Kamakura's book, Trademarks of the World, 1958. He states his influence of Japanese art and design, trademarks as a universal language and his struggles with English grammar.