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Content includes:
The New York Times. Good promotion pays off (Glory Harris)
Commercial Calendars (Glory Harris)
The Changing Face of Calendars (Leo Zihler)
Milner Gray (Charles Rosner)
Joan Jordan (C.G. Tomrley)
Italian Miniatures (Enzo Carli)
Japanese Calligraphy and Abstraction (Hideo Kobayashi; Pierre Alechinsky)
R.B. Fishenden

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Graphis 68, 1956. Cover design by Joan Jordan
Graphis 68, 1956. Cover design by Joan Jordan
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
Among the young graphic artists of Berlin, who set to work after the war, Hans Adolf Albitz and Ruth Albitz-Geiß can claim special attention. In a short time, at a period when economic conditions were pretty unfavourable, they worked themselves so to the fore that their names came to mean something in Berlin publicity, and in western Germany their posters are known and appreciated, too.

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Blase’s long-term clients were Staatstheater Kassel (Kassel State Theater) and Atlas Films. Karl Oskar Blase produced countless posters for these two organisations. It’s not surprising considering Blase designed posters for the Staatstheater for twelve years between 1966 and 1978. 

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His distinctive style echoes the artistic expressions of fellow Italian designers Giovanni Pintori and Erberto Carboni. Tovaglia's mastery in taking concepts and translating them into visually compelling narratives is evident in this selection of advertisements I have scanned from Gebrauchsgraphik, 10, 1955.

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The collection of works I've gathered, designed for Olympia-Werke, showcases the height of mid-century German commercial artistry. The work was collated in a branded folder and contained forty brochures, advertisements and manuals.