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Introduction:
The first issue of the INTERNATIONAL POSTER ANNUAL was highly praised in letters from the trade, in reviews and press criticism, and
has won a place in the attention and appreciation of international experts. Compiled, designed and edited by W. H. Allner, this second edition again assembles a striking collection of posters by over 200 artists and designers, representing 15 different countries. An indispensable supplement
to the INTERNATIONAL POSTER ANNUAL 48–49, this new volume presents more than 400 carefully selected posters – 19 in full color – from every domain of the art. It is a comprehensive survey of poster art throughout the world and constitutes a stimulating and useful reference work for artists, art
directors, advertising directors, editors, printers, art students, art teachers, and others.
Articles and commentaries by Fougasse C. K. Bird (England), Jacques Nathan (France), Jan Lenica (Poland), Charles T. INTERN Coiner (U.S.A.), Mildred Constantine (U.S.A.).
Text and captions in English, French and German.
ZOLLIKOFER PUBLISHERS
ST. GALL

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International Poster Annual - 1950. Designed by Walter Allner
International Poster Annual – 1950. Designed by Walter Allner
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1930s periodical 'Monografieën over filmkunst' designed by dutch designer Piet Zwart remains a pinnacle of Dutch avant-garde design.

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I first came across Kens work in the Unit Edition’s superb monograph, Structure and Substance, published in 2012. Although I had owned a few of the British industrial design magazines, Design, for a few years before, in which Ken had designed numerous covers for.
Triest Verlag für Architektur, Design und Typografie are a Swiss independent publisher producing specialist design books in the realms of typography, graphic design and architecture. Their books provide valuable insights and the print production is of exceptional quality. I interviewed the founders, to find out more about their books.
Armin Hofmann's publicity for the Stadttheater Basel. The client, in this case, the Municipal Theater of Basel, refused to listen to narrow-minded critics, in spite of the fact that as a state-subsidized enterprise it is accountable to public opinion.