gq 07 – A Quarterly Review of the Graphic Work, 1974

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Content includes:
Mitsuo Kano How to Fly along the declination No.XY
Along the declination of How to Fly/Mitsuo Kano
Contemporary Writer Theory Kano Mitsuo/Ooka Makoto
Special feature: The world of geometric abstraction
・Authors whose philosophy approaches the whole/Shutaro Mukai
・Private experience of abstraction/Hiroshi Tomura
Questions for Change: The Resistance of a Folk Printmaker and a Poet/Jose Guadalupe Posada; Tales and Chinese: Jin Zhihe; Translation: Jiang Shun
Book of toys and games for convicts: 18 types of games/Natsuhiko Okada
Audubon’s miniature painting “American Birds”/Tadayasu Sakai
Labyrinth of Perception – Keiji Usami’s Print Collection Profile/Joseph Love
5th Warsaw International Poster Biennale/Shigeo Fukuda
Printmakers from Asia: From a journey through contemporary prints in Asia and Australia/Yoshiaki Inui
“Bigger is better” -? Seeing the Macro Graphism Exhibition/Toshiaki Minemura
Exhibition collection ① Transformation of the atmosphere/Mamoru Yonekura
Marcel Duchamp or the realm of purity③????/Octavio Paz

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gq 07  - A Quarterly Review of the Graphic Work, 1974. Cover design by Kazumasa Nagai
gq 07 – A Quarterly Review of the Graphic Work, 1974. Cover design by Kazumasa Nagai
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

A fantastic example of Swiss design for brand systems is the brand and advertising by Siegfried Odermatt commissioned by Grammo Studio in Zurich.
The Cuban film poster conveys the spirit and ideals of the Cuban revolution. A time of political change, an uprising that ended the brutal dictatorship of Fulgencio Batista. The Danish Film Institute have a collection of Cuban Film Posters from the past 50 years.
A review of the memorial exhibition of Edward McKnight Kauffer at the Victoria and Albert Museum in 1955 by F.H.K. Hernion

Members Content

Many influential British designers have made their names in the history books. Abram Games, Alan Fletcher, Tom Eckersley and Derek Birdsall, to name a few. But one designer that has always influenced me, not only as inspiration from their design output, but as an example of the role of a designer and the importance of having strong ethics, is Ken Garland. He is known for his innovative and socially responsible approach to graphic design and his involvement in the design community through his teaching, writing and activism. In the second instalment of this series, I will discuss Ken Garland's magazine work from my collection.