Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977

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Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
Frontier Guard, Civil Guard and Police, Set of 3, Israel Stamps, 1977
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The background of Kamekura's mark designs is his boldness in eliminating all the waste, combining simplification derived from Japanese traditional family crests and Western intellectual mechanics of formation with a sharp modern sense of composition.
The graphic designer had to create a series of ads whose new publicity effects were to confirm or accentuate the already existing • image • of the paper. In this case, the planning was not based on a would-be psychological analysis of the reading public.

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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.

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Giovanni began his work with Olivetti in March 1938, and his work was showcased in various exhibitions and had a clear distinctive style that amplified the Olivetti brand image. His design defined the company’s visual image, and the iconic geometric designs are still as powerful and engaging today as they were in the 1950s.