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Content includes:
Prof. Dr. Dietrich Seckel (Heidelberg):Emaki. The Art of the Japanese Picture-Scrolls
Charles Rosner (London): Jan Lenica
Dr. Jakob Rudolf Weiti (Zurich): 1959. Swiss Posters
Henry Wolf (New York): Art Directors Club of New York. 38th Annual Exhibition of Advertising and Editorial Art
Victor N. Cohen (Zurich): A Zurich Bank and Its Sixteen Windows
Hortense Mendel (New York): Brownjohn, Chermayeff & Geismar, New York
Prof. Dr. Alfred Buhler (Basel): Sepik. A Dying Culture
Dr. Herbert Franke (Munchen): Beyond Human Vision

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Graphis 87, 1960. Cover design by George Giusti.
Graphis 87, 1960. Cover design by George Giusti.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
An advertising programme is fully integrated only when its effect is powerful enough to play a major part in determining a corporate image. Geigy advertising is an example of this successful integration.

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Before setting up Ken Garland & Associates in Camden, London, Ken was art editor of Design magazine in 1956. The magazine was published by the Council of Industrial Design, which was set up in 1944 with the prime focus of supporting Britains economic recovery.

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Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.
Simon Dixon is the co-founder of DixonBaxi and has been at the forefront of exceptional design from the start of his carreer. This year, DixonBaxi, celebrated twenty years in business, and their team of forty work with clients such as WWE, MAX, Premier League, Channel 4 and Netflix.