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Content includes:
Dr. Willy Rotzler, Zürich: Picasso. Linocuts of the Last Three Years
William B. McDonald, London: Prisunic. The Pack That Sells Itself
Raymond Castans, Paris: Snip. A Parisian Advertising Agency
Zeth Mober, Göteborg: K. S.-Ringi
Emil Ruder, Basel: Albert Hollenstein: Brasilia
Stanley A. Mason, Zürich: Artists’ Christmas and New Year’s Cards
Margit Staber, Zürich: The Colours of Iron
Roman Ghirshman, Paris: Ancient Iranian Art Treasures
Piroska Weiner, Budapest: Hungarian Cake-Forms of the 16th and 17th Centuries

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Graphis 112, 1964. Cover design by Pablo Picasso.
Graphis 112, 1964. Cover design by Pablo Picasso.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.
Flexible Visual Systems is the design manual for contemporary visual identities. It teaches you a variety of approaches on how to design flexible systems, adjustable to any aesthetic or project in need of an identifiable visual language.

Members Content

The identity manual consisted of 130 pages of information and brand usage with Arie J. Geurts heading up the project as design director, (who later headed up his own design studio in Los Angeles). The identity uses minimal colour and focuses on a consistent brand blue in all communications.

Members Content

Wolfgang Weingart's artistic design delved into the intricacies of Swiss typography, skillfully dissecting its elements while venturing into texture and type experimentation. His layered montages radiated dynamic kinetic energy, standing in stark contrast to the minimalist approach of his instructors, embracing a more maximalist aesthetic.