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Content includes:
Dr. Maria Netter, Basel: Ceelestino Platti
Dr. Willy Rotzler, Zürich: EXPO – Design Aspects of the Swiss National Exhibition in Lausanne 1964
Marilyn Hoffner, New York: Herb Lubalin Design and Art Director
Opland, Amsterdam: Steendrukkerij de Jong & Co. Public Reletions of a Dutch Lithographic Printer
Manuel Gasser, Zürich: Robert Wyss
Heiri Steiner, Zürich: AGI – Congress at Alpbach and Exhibition in Hamburg

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Graphis 115, 1964. Cover design by Celestino Piatti.
Graphis 115, 1964. Cover design by Celestino Piatti.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

Members Content

Max Huber worked across advertising, packaging, design and industrial design. He had a distinctive style that skillfully blended bright hues with photomontage.
Emiliano Grignani is the grandson of Franco Grignani, one of the most versatile and influential Italian designers. Well-known for his advertising, painting and the way he could visualise motion in such a unique way. I interviewed Emiliano to find out more about Franco and his influence on graphic design and the great resource, https://www.francogrignani.info.
My lectures and workshops also help bridge the gap between academia and industry. Through my lectures and collecting, I strive to promote design as a ever-changing dynamic industry that has the power to shape and improve the world we live in.

Members Content

Bäumer gave the company a unique brand image amplifying its graphical image after a time of post-war economic recovery. This style of advertising composition can be seen across many 1960s campaigns, especially from other German designers such as Anton Stankowski.