Olaf Leu - Graphic Designer - Germany

Graphis 141, 1969

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Content includes:
Dr. Willy Rotzler, Zurich/Hans Neuburg, Zurich: VSG. Thirty Years of Graphic Design in Switzerland, 1938-1968
Ken Baynes, London: Screen Prints – Original Graphic Art?
Lou Dorfsman, New York: Olaf Leu. Designer, Art Director
Atsuko Katsube, Tokyo: The Traditional Toys of Japan: a disappearing world
Dr. Willy Rotzler, Zurich: Hans-Georg Rauch

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Graphis 141, 1969. Cover design by Olaf Leu.
Graphis 141, 1969. Cover design by Olaf Leu.
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
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The typographic supplement from Der Druckspiegel, October, 1961 features typographic compositions designed by Herbert Bossin. Bossin has solely used the typeface Folio, to illustrate its flexibility and versatility alongside imagery provided by Lothar Blanvalet Verlag.

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Little is known about the talented designer Günther Glückert. Born during the 1930s, a period that proved less than conducive to nurturing youthful artistic endeavours, did not halt Glückert's path of becoming a talented designer.

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Kinetic art refers to art the depends on movement for its desired effect and is closely related to op art. Upon scanning a few of the inner inserts from the Kinetics exhibition catalogue from the Hayward Gallery, London, 1970, I came across these five small manifestos on kinetic art.
As a champion of graphic design history, I was thrilled to find the upcoming book "Penrose 1964-73: The Herbert Spencer Years," a captivating visual anthology dedicated to honouring Spencer's legacy as a trailblazer in modern typography. Spanning 288 pages, this book commemorates Spencer's influential editorship at the Penrose Annual from 1964 to 1973.