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Content includes:
Abstraction and Fundamental Formation of Design
Illustrator Paul Davis
Peter Weher by Kurt Weidemann
ADs of West Coast by Tadahisa Nishio
Don Kapp
Roger Kennedy
S. Neil Fujita
California design / nine
Ronald Shakespear
Yusaku Kamekura and Trademarks by Masataka Ogawa

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Idea 81, 1967. Cover design by Yusaku Kamekura
Idea 81, 1967. Cover design by Yusaku Kamekura

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa

 

Idea 081, 1967 - Yusaku Kamekura and his Mark Design by Masataka Ogawa
Idea 081, 1967 – Yusaku Kamekura and his Mark Design by Masataka Ogawa
More graphic design artefacts
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From the design archive:
From the design archive:
More graphic design history articles

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Victorian Graphic Design left a mark on both British and American design history. In Britain, the ornate embellishments served as a symbol of prosperity and cultural values. Meanwhile, America embraced the combination of various design elements to navigate the complexities of a rapidly changing society driven by industrialisation and consumerism.

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As a chemist, I have an obligation to be curious – I grab a stack of our chemical journals and start with the advertising section. I start it, the walk through the sand. I don’t want to deny some oases. But soon I’m bored and tired.
I came across two sample books containing printed examples of the work executed by the students in the Composing and Machine Departments of the Polytechnic School of Printing, between 1907 and 1910. I couldn't resist adding these to the archive.
In Rau's case, the combination of graphic design and photo produces a particularly positive result, since he uses the photo not so much as an object of representation but rather as a suggestive means of expression.