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Content includes:
Graphic Arts
Visual Communications in Canada
Foreword by Arnold Rockman
Paul Arthur, Ted Bethune, Jack Birdsall, Hans Kleefeld, Graham Coughtry, Louis de Niverville, Theo Dimson, Allan Fleming, Eugenie Groh, James Hill, Frank Lipari, Arnaud Maggs, Allan Mardon, Frank Newfeld, Leo Rampen, Ernst Roch
World Design Conference Thumbnail sketches of visiting designers

Color Reproductions
Works of Canadian graphic designers
Allan Fleming
Ernst Roch

Editorial
“Nouvelle Vague” in layout by S. Imatake
What’s meant by Good Design? by T. Uemura
Visit to British Industrial Design Center by I. Hasegawa
An artist in the age of marketing by Printer’s Ink
Challenge to packaging in the 60’s by Modern Packaging
Editor’s note

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Idea 41, 1960-6. Cover design by Erick Buchergger
Idea 41, 1960-6. Cover design by Erick Buchergger
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles

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They were many other designs who played an important role in IBM's graphic identity and implementation. Some of the other designers included Arthur Boden, Clarence Lee, Charles Keddie and Mary Beresford.

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The best poster designs from Die besten Plakate des Jahres 1957 with a translated foreword by Walter Kern. Featuring the work of J. Müller-Brockmann, Gottlieb Soland, Mary Vieira and Celestino Piatti.

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A total of 24 posters were created for the campaign during 1964, using the arrow symbol as a key features, representing power, motion and speed. The handmade lithographs use up to 19 colours, which were individually printed at large scale. The posters also utilise the brand colours red and yellow from Shells corporate identity.
The covers of the periodical ALMANAQUE, which was published in Lisbon, are perfect examples of this pleasure in the unusual and the force of with which all sorts of foreign influences are assimilated.