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Content includes:
① 15 photographers exhibition / Mutsuro Sakata
② Book review / Design for survival / Ko Miyauchi
③ New issue introduction Photographs and art
④ New issue introduction Sandwich silencer / Takeshi Hisada
⑤ Suburbs to be decolorized / Takeo Kitano
Max Bill prints
For the new prints of Max Bill / Toshiro Habara
Writer Series 6th Toshihiro Katayama’s modeling
Modeling by Toshihiro Katayama / Koji Taki
Mr. Katayama from the United States / Susumu Shingu
Mental topology traveler / Shutaro Mukai
Katayama and I / Tsunehisa Kimura
Yusaku Kamekura’s symbol mark / Kazumasa Nagai
Illustration by Haruo Takino / Ikko Tanaka
From a solo exhibition at Fujie Gallery
Sandwich silencer
Frank Lloyd Wright’s decoration / Photo: Shunji Okura
Warship and grassland / Shinichi Kusamori
Graphic image” 74
It’s a splendid salon, but the “critical place” is / Ryoichi Hirai
Series ③ Rational part of the horizon image of design Jacques Bertin’s “figure” semiotics / Koji Taki

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Linked Information

Quarterly Design No.7 Autumn 1974. Cover design by Toshihiro Katayama
Quarterly Design No.7 Autumn 1974. Cover design by Toshihiro Katayama

 

Quarterly Design No.7 Autumn 1974
Quarterly Design No.7 Autumn 1974

 

Quarterly Design No.7 Autumn 1974
Quarterly Design No.7 Autumn 1974
More graphic design artefacts
From the design archive:
From the design archive:
From the design archive:
From the design archive:
More graphic design history articles
To Have and To Hold, contains hundreds of bag designs collected during over half a century. The book is a must-buy for anyone interested in ephemera, the history of design or British high street history.
I have long been a fan of Counter-Print, as a student, I would order their newsprint publications, peruse their Flickr albums and now, over a decade later I still buy their latest releases and their site provides our staff with great giftse throughout the year. I interviewed one of the founders, Jon Dowling to find out more about setting up Counter-Print, their favourite books and which publishers inspire them.

Members Content

Rastorfer transformed the advertising of Volkswagen and his work contrasted with that of the previously commissioned designers. It reiterates the importance of finding a designer who can transform your vision and adverting and how the significance of consistent messaging across advertisements, contributes to the creation of a memorable campaign 
IBM puts a premium on functional design, forms and colours which make it far easier for the potential customer to gain an insight. In this respect the IBM methods are exemplary. The IBM already opened studios of artistic and graphic design for its German and Italian offices and a few years ago another such studio was established in Paris. Frank René Testemale was entrusted with its organisation and was appointed its business and art director.